Interview for Stream by Synersea
Interview for Frankfurter Allgemeine Zeitung.
Vertraute und Höflinge werden von Ingyu Hwang, Daniel Miroslaw und Thesele Kemane so ausgefeilt geboten, wie es dem Glanz der Aufführung angemessen ist.
Judith von Sternburg. Frankfurter Rundschau. Feb 5, 2018
Die Rolle von Nathanaels Jugendfreund Lothar füllte der polnische Bass Daniel Miroslaw mit seiner warmherzig tönenden Stimme wunderbar aus.
Udo Pacolt. Online Merker. Oct 9, 2016
Daniel Miroslaw stellte ihr als treuer Freund Lothar einen unaufgeregten, verlässlichen Bass zur Seite.
Miriam Zeh. Bachtrack. Sep 20, 2016
I was impressed with Daniel Miroslaw, whose bright and flexible bass showed a keen baritonal edge that allowed him to cut through even busy orchestral passages. As the story’s narrator and the advice-to-the-lovelorn dispensing magician Colas, he enlivened the proceedings every moment he appeared on stage.
Ken Herman. San Diego Story. June 6, 2016
Both tenor Gerard Schneider (Harlekin) and bass Daniel Mirosław (Death) brought real bel canto virtues to the first scene of Der Kaiser. Their singing suggested that even in the harshest of realms, beauty can thrive.
Fred Cohn. Opera News. Nov. 18, 2015
In “Der Kaiser,” Daniel Miroslaw (Death) and Dimitri Katotakis (the Emperor) were imposing, worthy adversaries.
James R. Oestreich. The New Tork Times. Nov. 19, 2015
die Arie des Banquo aus Verdis „Macbeth“ – von Daniel Miroslaw mit sonorer, gut kontrollierter Bassgewalt in den fast erzitternden Neumarkter Reitstadel gestellt.
Juan Martin Koch. Mittelbayerishe. Aug. 16, 2015
Volltönender Bass kommt von Daniel Miroslaw aus Polen. Mit seiner Arie des Figaro verzaubert er nicht nur die Damen im Publikum.
Onetz. Jul. 22, 2015
The tall, strong-voiced bass Daniel Miroslaw, as Collatinus, brings out the decency of the character.
Anthony Tomassini. The New York Times. Feb. 19, 2015
And my heart went out to Geronio, the duped husband of Fiorilla, as performed by the earnest, winning bass Daniel Miroslaw.
Anthony Tomassini. The New York Times. Nov. 20, 2014
Daniel Miroslaw used his rich bass register to vibrant comic effect as the much-abused Geronio
David J. Baker. Opera News. Nov. 19, 2014